A Sican/Chimu Idol of a Seated Lord, ca. 9th –11th century CE
A Sican/Chimu Idol of a Seated Lord, ca. 9th –11th century CE
A Sican/Chimu Idol of a Seated Lord, ca. 9th –11th century CE
A Sican/Chimu Idol of a Seated Lord, ca. 9th –11th century CE
A Sican/Chimu Idol of a Seated Lord, ca. 9th –11th century CE
A Sican/Chimu Idol of a Seated Lord, ca. 9th –11th century CE
A Sican/Chimu Idol of a Seated Lord, ca. 9th –11th century CE

A Sican/Chimu Idol of a Seated Lord, ca. 9th –11th century CE

PS2112

Regular price$3,500 USD
/
  • This object qualifies for free USA shipping and a flat rate fee of $60 if shipping internationally.

The Lambayeque Valley was home to the Sicán (or Lambayeque) ceramic style. Developing toward the end of the first millennium CE, it continued until the end of the fourteenth century when the region was conquered by the expanding Chimú kingdom.

The most characteristic motif in Sicán art is the frontal face of the so-called Sicán Lord. It is widely seen on ceramics, metalwork, textiles, and mural painting. With this rare portrayal, an impressive Lord is solid cast in lead metal and seated on his throne. He has the characteristic large wide eyes, prominent pointed nose, and wide mouth. His ears are triangular projections with large circular ear ornaments below. He wears an elaborate plumed royal headdress, and at the front, extends a kero with both hands.

Condition: Intact and in excellent condition overall with excellent dark patina.

Dimensions: Height: 2.5 inches (6.35 cm), Width: 1 inch (2.5 cm)

Provenance: From the private collection of R Jerry Bock, Hawaii, assembled in the 1990s, thereafter private Canadian collection, acquired from the trade in 2010.

Sands of Time provides a lifetime, unconditional guarantee of authenticity and provenance. Every object you purchase from us is accompanied by a Certificate of Authenticity, stating culture, provenance, and age.

Furthermore, we conduct due diligence to ensure the item, to the best of our knowledge, has not been illegally obtained from an excavation, architectural monument, public institution, or private property. Wherever possible, reference is made to existing collections or publications.Wherever possible, reference is made to existing collections or publications.

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