Roman Green Chalcedony Intaglio of Dancing Satyr set as a ring, Roman Imperial Period, ca. 1st - 3rd century CE

A striking Roman intaglio in luminous green chalcedony depicting a youthful satyr in motion, nude save for a short cloak draped over one shoulder, his left leg raised in a lively dance. In his outstretched hand he presents a theatrical mask, in the other, he holds a curved pedum (shepherd’s crook), one of the defining attributes of the satyr. The composition captures the energy and grace of Dionysian revelry, a spirited follower of the wine god caught mid-dance. The raised leg and rhythmic stance imbue the satyr with a sense of exuberant motion. The combination of pedum and mask situates the figure firmly within the Dionysian sphere, symbolizing both rustic vitality and the transformative joy of revelry. The engraving is finely executed with crisp linear incision and delicate anatomical modeling characteristic of early Imperial glyptic craftsmanship.

In Roman glyptic art, the pedum serves as a principal emblem of satyrs and pastoral attendants of Dionysos. When paired with a theatrical mask, it encapsulates the dual nature of Dionysian worship — at once rustic and performative, sacred and playful. The youthful, idealized form seen here typifies Roman interpretations of satyrs as embodiments of sensual grace rather than untamed wildness, reflecting the refined aesthetic of Imperial glyptic workshops.

Now mounted in a modern high-karat gold ring.  The oval bezel, broad and textured with a cross-hatched finish, evokes the softly hammered surfaces of ancient jewelry, while the open hoop terminates in twin spherical finials, an elegant contemporary adaptation of Roman design intended to echo the spirit of antiquity while ensuring modern wearability.

Medium:  Green chalcedony, gold

Dimensions:  US ring size 6.25 (UK=M, DE=17.5, CH=11.5, FR=52.55, EU=52.55, JP=11.5); Bezel length: 5/8 inch (1.58 cm)

Condition:  The ancient intaglio intact with light wear consistent with age; the modern mount expertly crafted in excellent condition.

Provenance:  Private East Coast collection, acquired from the New York art market.

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