A rare South Arabian Banded Agate Stamp Seal with Inscription, Sabaean Culture, South Arabia (modern Yemen), ca. 2nd–3rd century CE
This object qualifies for free USA shipping and a flat rate fee of $75 if shipping internationally.
A finely cut circular stamp seal carved from a warm orange banded agate, selected for its striking natural “eye” motif. The warm amber center, framed by a soft pale halo and darker outer band, not only gives the piece added presence, but no doubt enhanced its role as a personal object.
In antiquity, stones with this kind of eye-like pattern were often valued for more than their appearance. Across the ancient Near East, the “eye” was considered a protective motif, believed to deflect harm or ward off ill intent. Set within a personal object like a seal, this natural feature would have added an additional layer of meaning, reinforcing its role not only as a marker of identity but also as something carried or worn for a degree of protection.
The flat face is engraved with a neatly arranged two-line inscription in Ancient South Arabian script, each line containing three characters, reading s³ n m above and c m h below, separated by simple incised lines. The engraving is clear and well balanced, with the clean, geometric forms typical of personal seals from the Sabaean world of ancient Yemen.
Medium: Agate
Dimensions: Diameter: 3/4 inch (1.9 cm). Strung as a pendant on a modern 18K yellow gold chain, adjustable up to 18 inches
Condition: The seal is intact, and shows wear to both terminals from ancient use. The inscription remains clear and easy to read. It has been mounted as a pendant on a modern 18K yellow gold chain.
Provenance: Collection of Henry Anavian, Sumer Gallery, NYC., 1980s, and to the family by inheritance.
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Sands of Time provides a lifetime, unconditional guarantee of authenticity and provenance. Every object you purchase from us is accompanied by a Certificate of Authenticity, stating culture, provenance, and age.
Furthermore, we conduct due diligence to ensure the item, to the best of our knowledge, has not been illegally obtained from an excavation, architectural monument, public institution, or private property. Wherever possible, reference is made to existing collections or publications.Wherever possible, reference is made to existing collections or publications.
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